Bill Boyd, an American-born potter, began his ceramics journey in 1970 while attending Leksand’s Folkhogskola Art School in Sweden. Influenced by both Scandinavian design and Asian aesthetics, Boyd initially focused on classic glazes like Shino, Temmoku, and Celadon. His time in Sweden allowed him to refine his craft alongside skilled potters, and he later established the Solbacken Ceramics studio in South-West Sweden. Boyd describes himself as largely self-taught, and his approach to pottery has always been rooted in the pursuit of creating beautiful, culturally resonant work rather than striving for uniqueness.
In 2002, Boyd moved to Canada and became one of the early proponents of crystalline glazing, a highly technical and unpredictable method involving zinc-silicate crystals. This marked a shift in his work, and Boyd began using his thrown vessels as canvases for the stunning glazes he now specializes in. He describes his pottery as part of a "Nouveau-classique" tradition, merging classical forms with innovative glazing techniques. Boyd’s work has been exhibited widely in North America and Europe, and he now works from his studio on Galiano Island, British Columbia, continuing to push the boundaries of ceramic art.