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Lot #20

The Gypsies

oil on paperboard 1893
10.5 x 7.25 in (26.7 x 18.4 cm)
15.75 x 12.5 in (40 x 31.8 cm) including frame

The Gypsies demonstrates Jacobi's move towards a more romanticized and painterly style. The composition features a group of figures gathered in a densely wooded glade. Jacobi utilizes a dark, earthy palette of deep greens and browns, contrasted by a luminous, hazy light filtering through the central canopy of trees. The application of paint is loose and textural, prioritizing the overall atmosphere and the play of light over precise figurative detail. This work reflects the 19th-century European tradition of depicting nomadic or pastoral life within a sheltered, natural setting.

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The
The
The

Otto Jacobi

1812 - 1901 OSA, RCA

Otto Reinhold Jacobi was a prominent 19th-century painter whose work helped define the landscape tradition in Canada during the late Victorian era. Born in Königsberg, Prussia, on February 27, 1812, he received formal artistic training at the Berlin Academy of Arts and later at the Düsseldorf Art Academy under Johann Wilhelm Schirmer. Before immigrating to North America, Jacobi established a successful career in Europe, serving as a court painter to the Duchess of Nassau in Wiesbaden for approximately two decades.

Jacobi arrived in Canada in 1860, initially traveling to Montreal on a commission to paint Shawinigan Falls for a presentation to the Prince of Wales during his royal tour. He chose to remain in Canada, settling in Montreal where he became an active participant in the city's artistic community. Throughout the 1860s, he traveled extensively along the St. Lawrence and Ottawa rivers, producing landscapes and genre scenes in both oil and watercolour. His technical approach, influenced by his European academic background, emphasized atmospheric effects and idealized vistas, often focusing on waterfalls and mountain scenery.

In 1876, Jacobi was admitted to the Ontario Society of Artists (OSA) and subsequently moved between Toronto and Montreal, playing a significant role in the institutionalization of Canadian art. He was a founding member of the Royal Canadian Academy of Arts (RCA) in 1880, serving as its president from 1890 to 1893. In addition to his studio practice, he contributed to art education in Toronto, serving as an instructor at the Ontario School of Art.

Jacobi continued to paint and exhibit until his later years. He passed away on February 8, 1901, in Jarva, South Dakota, while visiting his son. Today, his work is held in the permanent collections of major public institutions, including the National Gallery of Canada, the Art Gallery of Ontario, and the Musée national des beaux-arts du Québec. His legacy remains tied to his transition from European court painter to a central figure in the development of Canadian landscape painting.

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