1907 - 1996
Henri Leopold Masson was a Belgian-born Canadian artist renowned for his vibrant depictions of Quebec landscapes and urban scenes. Born in Spy, Belgium, Masson showed artistic talent from an early age. Following his father's death in 1921, he immigrated to Canada with his mother, settling in Ottawa where he began working as a metal engraver. He would master this craft by age 25, continuing in this profession until 1945 when he dedicated himself to painting full-time.
Though Masson studied briefly at the Ottawa Art Association in the 1920s, he was largely self-taught. A pivotal moment in his artistic development came when he visited the National Gallery of Canada and discovered works by the Group of Seven, which inspired his own artistic direction. By the early 1930s, he became associated with Les Confrères artistes Le Caveau, where he taught, exhibited, and formed connections with fellow artists including Wilfrid Flood, Tom Wood, and Jean-Philippe Dallaire.
Masson's paintings captured everyday scenes in working-class neighborhoods of Hull and villages throughout the Gatineau Valley. His work is characterized by bright colors, semi-abstract compositions, and a fluid brushwork that shows the influence of the Group of Seven while maintaining his own distinctive style. Art historian Marius Barbeau described him as both a chronicler and landscapist, recognizing his ability to document daily life with artistic sensitivity. Critics particularly noted his luminous quality, intense color palette, and gift for subtle satire.
Throughout his career, Masson exhibited extensively both nationally and internationally, including shows at the 1939 World's Fair in New York, UNESCO in Paris (1946), and the National Gallery of Art in Washington, D.C. (1950). His work is held in numerous prestigious collections including the National Gallery of Canada, the Art Gallery of Ontario, and the Hirshhorn Museum. In 1974, his painting "Skaters in Hull" was reproduced on a Canadian eight-cent postage stamp, and in 1972, UNICEF reproduced one of his works for their fundraising efforts.
Masson's contributions to Canadian art extended beyond his paintings. He was a founding member of Les Confreres du Caveau, belonged to numerous artistic societies, and taught at various institutions including Queen's University and the Banff School of Fine Arts. In recognition of his artistic achievements, he received an honorary LL.D. from Assumption College in 1955. His legacy continues to be honored in Canada, with Ottawa naming the Karsh-Masson Gallery at City Hall after him and photographer Yousuf Karsh in 2001.