Maud Lewis Retrospective 2022


A retrospective of works by Maud Lewis featuring paintings we have helped our clients collect over the years.

“As long as there’s a brush in front of me, I’m alright.” – Maud Lewis

May 28 - June 18, 2022

Mixed Media on Paper, circa 1958
3.5 x 5.25 in (8.9 x 13.3 cm)

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Mixed Media on Paper, circa 1958
3.5 x 5.25 in (8.9 x 13.3 cm)

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The live exhibit opens May 28th and closes June 18th at our Tuxedo Gallery

A retrospective of works by Maud Lewis featuring paintings we have helped our clients collect over the years. 

“As long as there’s a brush in front of me, I’m alright.” – Maud Lewis

Maud Lewis holds a special place in the hearts of many Canadians. One time, a relatively unknown and unrecognized artist, the last decade has seen Lewis’ artwork undergo tremendous growth in not just value but in recognition and understanding.

Née Dowley, (March 7, 1903 – July 30, 1970), Lewis was a Nova Scotia-born Canadian folk artist. She spent the majority of her life in poverty, living in a modest home in Marshalltown, outside of Digby, Nova Scotia with her husband Everett Lewis. During her lifetime, she sold her paintings from $2 to $10 each, which would equal about $20 to $100 today with inflation. Despite unjust economic and physical limitations, Maud Lewis developed an appreciable and beloved painting style. Her joyful artwork of landscapes, animals, and flowers presented a nostalgic and optimistic view of her native home and land. Lewis’ famously shadowless paintings endeavoured to create beauty in an otherwise harsh environment.

Maud Lewis’ fame began to bloom in the mid-1960s, first with a CBC Telescope feature, then later receiving international attention from the United States White House. Her artwork’s compelling nature has seemed to prevail over her misfortunes. Today, Lewis has been the subject of several novels, plays, and films. She is now known for her unique and personal contribution to Canadian art history and is regarded as one of Canada’s most acclaimed folk artists.

Oil on Panel, circa 1968
12 x 16 in (30.5 x 40.6 cm)

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Oil on Panel, circa 1956
11.75 x 13.5 in (29.8 x 34.3 cm)

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Oil on Panel, circa 1956
11.75 x 13.25 in (29.8 x 33.7 cm)

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Oil on Panel, circa 1960
11.75 x 13.75 in (29.8 x 34.9 cm)

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Oil on Panel, circa 1960
12 x 15.75 in (30.5 x 40 cm)

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Oil on Panel, circa 1956
12 x 13.75 in (30.5 x 34.9 cm)

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Oil on Panel, circa 1965
12 x 14 in (30.5 x 35.6 cm)

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Oil on Clam Shell, circa 1960
6.5 x 6.5 in (16.5 x 16.5 cm)

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Oil Clam Shell, circa 1960
6.5 x 6.5 in (16.5 x 16.5 cm)

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Oil on Panel, circa 1960
11.75 x 13.75 in (29.8 x 34.9 cm)

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Oil on Panel, circa 1964
12 x 14 in (30.5 x 35.6 cm)

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Oil on Panel, circa 1962
11.75 x 12.75 in (29.8 x 32.4 cm)

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Oil on Panel, circa 1958
11.5 x 13.75 in (29.2 x 34.9 cm)

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Oil on Panel, circa 1958
11.75 x 13.75 in (29.8 x 34.9 cm)

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Oil on Panel, 1964
12 x 14 in (30.5 x 35.6 cm)

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Oil on Panel, circa 1963
11 x 14 in (27.9 x 35.6 cm)

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Oil on Panel, circa 1962
12 x 14 in (30.5 x 35.6 cm)

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Oil on Panel, circa 1960
11.5 x 14 in (29.2 x 35.6 cm)

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Oil on Panel, circa 1956
9 x 11.87 in (22.9 x 30.1 cm)

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Oil on Panel, circa 1955
9 x 12 in (22.9 x 30.5 cm)

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Oil on Panel, circa 1961
12 x 14 in (30.5 x 35.6 cm)

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Oil on Panel, circa 1958
11.75 x 13.75 in (29.8 x 34.9 cm)

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Oil on Panel, circa 1956
13.25 x 18.25 in (33.7 x 46.4 cm)

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Oil on Panel, circa 1957
11.75 x 13.75 in (29.8 x 34.9 cm)

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Oil on Panel, circa 1948
12 x 9 in (30.5 x 22.9 cm)

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Oil on Panel, circa 1954
11.75 x 11.75 in (29.8 x 29.8 cm)

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