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Simon Hughes

(1973)

Available Artwork by Simon Hughes

Beaver Headquaters

Simon Hughes
Mixed Media (29x45.5 in) 2002

Please inquire regarding availablity

Study for North Morphology

Simon Hughes
Watercolour (16x16 in) 2011

$1,800.00 including frame

Fractured Monochrome #2

Simon Hughes
Oil on panel (36x40 in) 2011

$5,400.00 including frame

Fractured Monochrome #3

Simon Hughes
Oil on birch panel (50x60 in) 2011

$8,800.00 including frame

West Coast Improvisation

Simon Hughes
Mixed Media (28x20 in) 2010

$2,600.00

Abstraction with Black Hole

Simon Hughes
Mixed Media (28x20 in) 2010

$3,100.00 including frame

Canada

Simon Hughes
Acrylic on paper (28x20 in) 2009

$3,100.00

Circular Thought-Form

Simon Hughes
Watercolour (28x20 in) 2010

$3,100.00

Border Fence

Simon Hughes
Mixed Media (42x70 in) 2007

$7,700.00

Office Block

Simon Hughes
Mixed Media (20x15 in) 2007

$2,200.00 including frame

Simon Hughes was born in Winnipeg, Manitoba in 1973. He holds a BFA from the University of Manitoba (1996) and an MFA from the University of California (2010), in Irvine. His art practice encompasses painting, drawing, film and video. Since 2000, he has worked almost exclusively on paper using watercolour, collage and other media. His “Northern” series of narrative works explore regionalism and common stereotypes of Canada’s north.
Hughes’ recent works show his fascination with the Canadian abstract canon and its interaction with visual culture mediums. He reconsiders this canon in his own work, through the study of the influential artists, Paul Klee, Arthur Dove and Claude Tousignant. A Critical Modernist at heart, his abstracts and quasi-architectural renderings create fantastical Canadian scenarios, indulging his interest in childhood pursuits by referencing lego bricks and stickers. Using these childhood tools and armed with a playful attitude, he becomes an architect and city planner of imaginary buildings in an imagined northern city. His “proposed” pre-fabricated, modular, log/wood, highrise condominiums are decorated with ice sculptures and inhabited by “sticker” people. The stickers, a stereotypical vision of northern people, populate these fanciful buildings where they meet and mingle in improbable surroundings. Through a combination hybrid pioneering and Modernist spirit, Hughes has envisioned a hypothetical architectural and urban history that engages in a critical dialogue of contemporary Canadian communities.
Hughes’ large, multi-paneled watercolour installations have been included in exhibitions at the National Gallery of Canada, the Confederation Centre for the Arts, Plug In ICA and the Winnipeg Art Gallery. His video work has been exhibited at museums and film festivals worldwide, most recently at the Sweeney Art Gallery at the University of California, in Riverside. He has received numerous grants from the Manitoba and Winnipeg Arts Councils, as well as the Canada Council for the Arts.

Reference:

Enright, R. (2010), Contemporary Stops Along the Modernist Highway - Mr. In-Between - an interview with Simon Hughes. Border Crossings Magazine Vol.29 No.4 Issue 116